论古筝演奏作韵技法的传统表现与当代运用.pdfVIP

南京艺术学院 硕士学位论文 古筝演奏作韵技法的传统表现与当代运用 姓名：魏玮 申请学位级别：硕士 专业：音乐学 指导教师：阎爱华;伍国栋 摘 要 摘 要 古筝是我国最古老的弹拨乐器之一，在两千多年的发展长河中，形成了古筝所特有的民 族“韵味”。古筝演奏中，左手“吟、揉、按、滑、颤”等作韵技法是古筝音乐的韵律所在， 是筝乐最独特的审美特征。在古筝迅速发展的今天，左手传统的作韵技法在得到空前发展的 同时，也在不同程度上逐渐流失。当代的筝乐创作和演奏只有在源于传统的基础上高于传统， 稳定和发展左手之“韵味”，才能使古筝演奏的民族“韵味”更浓，才能使古筝艺术无愧为 中国民族器乐中最美丽的奇葩。本文通过对古筝演奏作韵技法传统表现和当代运用进行较为 深入梳理和研究，以希望能对当代古筝音乐的创作、演奏具有一定的现实意义。 关键词：古筝 作韵技法 流派 传统 I Abstract Abstract Zither is one of the oldest plucked string instruments in our country. It has been forming a unique national “flavor” in two thousand years of development. In zither’s playing, rhyme skills of chanting, kneading, pressing, sliding of the left hand are where the rhythm of the zither music is, and have the unique aesthetic feature. In the rapid development of zither, traditional rhyme skills of the left hand promote an unprecedented development, while they are also at a gradual loss in varying degrees. The contemporary music composition and playing of zither should make advanced development on the basis of the traditions. More stable and advanced of the skills of the left hand are, stronger of the national “flavor” of the zither playing is. And thus we could make zither art a well-deserved wonderful work for the Chinese-nation instrumental music. This paper sort out and made research in depth in rhyme skills in the traditional and contemporary performance of the zither playing in the hope that it would play with a certain degree of practical significance to co