论用中国民族声乐的演唱方式来诠释歌剧《原野》.docVIP

 论用中国民族声乐的演唱方式来诠释歌剧《原野》 ————对焦大星人物性格的分析和唱段的处理 内容摘要：当今社会，“歌剧”一词开始逐渐家喻户晓，得以让越来越多的爱乐人士及普通群众对部分中国歌剧产生了一点简单而又较为模糊的认知。然而，仅仅是简单的认识并没有完全让中国歌剧得以全面普及化。对于更多的听众而言，欣赏完一整部歌剧之后，却又成为了他们心中疑团产生的一个开始。这部歌剧说明了什么，反映了什么现实问题，给人带来了什么启示，为什么要这样唱，这样唱表达了剧中人物什么样的一个思想？本篇论文主要通过本人对中国歌剧《原野》中男高音唱段演唱的学习和理解，并加以了个人的一些审美观思想，对民族歌剧声乐作品的表演形式进行了一番个人的演唱处理和分析，塑造出在歌剧里那份自己心目中的男高音角色焦大星。 与此同时，本人还结合当前的社会现状，提出的论点并参与个人对歌剧的传统看法，加深观众们对歌剧《原野》的认识并进行创新，希望能够让中国歌剧得到更好的欣赏与普及。 关键词：人物角色 民族化特色 美学审美 Content abstract: Now the society, “the opera” a word starts to be widely known gradually, could let more and more philharmonic public figures and the ordinary populace has produced a point to the part China opera simple and the comparatively fuzzier understanding. However, is merely the simple understanding has not let the Chinese opera obtain the comprehensive universalization completely. Speaking of more audience, after appreciating an entire opera, actually becomes in their heart to have a question start. What did this opera show, had reflected what realistic question, brought what to the human to inspire, why could sing like this, what thought like this sang expressed in the play a character? This paper mainly Wilderness the tenor aria sings the study and the understanding through myself to the Chinese opera, and individual aesthetic standard, has carried on to the nationality vocal music thoughts performance form individual has sung processing and the analysis, molds in the opera in that mind tenor role Jiao Daxing. Meanwhile, myself also unify the current social present situation, proposed the argument and participates in a person to operas traditional view, deepens the audiences Wilderness knows and carries on the innovation to the opera, in order to better let the opera obtain the comprehensive popularization, obtains a better cognition and the appreciation. Key word: Character role nationality characteristic esthetics is esthetic 目录 前言……………………………………………………………………5 歌剧《原野》内容概述…………………………………………………………7