论《孽子》和《红楼梦》父子冲突差异性及其文化根因.pdfVIP

内 容 摘 要 《孽子》与《红楼梦》都是有关家庭题材的作品，父子冲突是两部作品共同关注 的焦点，两部作品中父子冲突存在着差异。差异性主要表现在两方面，一是父子冲突 场域、情感演变的差异，二是父子冲突催化剂、缓和剂的差异。《孽子》父子冲突发 生在家与社会两大场域中，父子冲突不只是家庭问题更是社会问题。在情感演变过程 中，父子由温情骤变至绝情，展现了社会主流观念强大影响力，悲情是父子冲突的结 局。母辈的逃亡是父子冲突的催化剂，傅崇山的真情缓和了父子冲突。《红楼梦》父 子冲突主要发生在家这个场域中，父子冲突面对错综复杂的血缘关系显得更加尖锐， 没有走入社会的子辈窒息在家中。在情感演变过程中，父子由温情、嫌恶渐变至绝情， 温情中透露出悲情的感伤，父子戴着人格面具相处。庶嫡的争斗是父子冲突的催化剂， 贾母与王夫人对宝玉的宠爱缓和了父子之间的冲突。 两部作品中父子冲突之所以存在差异是因为文化冲突与伦理变奏，《孽子》处于中 西文化冲突的时代背景中，同性恋对传统文化本能的“弑父”引发了父子冲突。《红 楼梦》处于传统与近代文化冲突的时代背景中，贾宝玉对传统文化的“弑父”引发了 父子冲突。以文化为视角进行比较，可以在文化人类学、社会学层面取得比较的意义， 挖掘出两部作品的内在价值。 关键词：孽子 红楼梦 父子冲突 差异性 文化冲突 II Abstract Crystal boys and The Dream of Red Chamber is the work about family, the conflict of the fathers and sons is the focal point which two works pays attention to. The conflict of the fathers and sons has difference in two works; the reason is that the cultural conflict initiates ethics variation. The difference mainly displays in two aspects, on the one hand the field territory of conflict of the fathers and sons and emotion evolution have difference, on the other hand catalyst and the moderator of the conflict of the fathers and sons have difference. The conflict of fathers and sons occurs in the two territories of home and the social in Crystal Boys, conflict is not only the family question, but also is the social question. In the emotion variation process, the fathers and sons have change from tender feeling to heartlessness suddenly, unfolding the social mainstream idea formidable influence, sadness is the result of conflict of the fathers and sons. Fugitive mother generation was the catalyst in the conflict of fathers and sons, Fu Chon Shan’s true feelings has relaxed the conflict of fathers and sons. In the Drea