浅论现代艺术馆.pdfVIP

浅论现代艺术馆 张吉宏 天津 建院建筑设计有限公司 摘 要：现代艺术体现了一种多元化的趋势，其中也体现着固有元 素的冲突。建筑形式中也蕴涵着这一矛盾观点。但同时建筑自身以及 建筑与周围环境之间的关系,又体现着有机协调,有机呼应,整体统 一。建筑的环境特点、功能流线的组织和形体推敲的交织构成了建筑 师构思中理性的基础。设计方案主要构思是采用几何形体相互穿插的 构成手法，试图反映当代美术的形象。虚实结合的形体及室外展廊的 运用创造了相互渗透的室内外空间，以及光影的应用。由于处在商业 建筑区，从室外到室内经过了一个过渡空间，引导参观者由喧嚣的环 境逐渐融入到艺术的氛围之中，形成了一个心灵净化的场所。红色和 白色相互的运用构成了建筑的主色调。两种色调的对比形成一种视觉 的冲击，在周围环境中形成吸引点。室内园林展厅的创造，形成独特 的园林环境和艺术的融合，在感受艺术魅力的同时也享受着周围环境 带来的江南风情，形成艺术和环境的双重盛宴。 关键词：矛盾；统一；建筑；过渡空间；园林展厅 中图分类号：J 文献标识码：A 文章编号： Abstract： Themodern arthas manifested onekind of multiplextendency,isalso manifesting the inherent element conflict. Inthe architectural style isalsocontaining thiscontradictory view point.Theharmonious beautyof architectural design incarnatesthe relationship which shouldbe the organic coordination, organic echo andwhole unification inthe building itself, the different building and between buildingsand the surroundingenvironment. Themingling of environment characteristic, organization of functionstreamlineand form elaboratingof architecture constitutes the rational base of architect designing. Design isthe main idea of the adoption of the geometric shape of amutual interludes practices inanattempt to reflect the image of contemporary art. Actual situation with the physical andoutdoor exhibitiongallery has created the useof mutualpenetration of indoor and outdoor space, andlightingapplications. As in commercial buildings, from indoor to outdoor, after a transitional space, and guidevisitors from the hustle andbustle of the environment graduallyintothe artistic atmosphere, formingaspiritual purification of places. Red andwhite eachother constitutes the use of the buildings main colors. Twocolor contrastcreate avisual impact inthe surrounding environment toattract formed inthe points. Theindoor exhibitionhall to creategardens, auniquelandscape environment andthe integration