殊途同归——世纪之交的女性文学创作.pdfVIP

I I 中文摘要 在世纪之交的文学创作中，女性文学蔚为大观。女性作品的繁荣成为文学界 一个新的亮点。本文拟从女性文学创作中两个创作倾向谈起，试图找出这两种差 异巨大的文学创作之间所共有的女性痕迹。众所周知，身体写作自出现以来一直 受到创作界及评论界的关注，且批评之声甚嚣尘上，身体写作最初的创作目的则 渐为淡化。另一方面，民间写作作品在各种奖项中广受欢迎，因为它们反映了另 一个没有表达权的群体的日常生活。两者相较，高下立现。本文试图在文本及文 学创作理念上作具体分析，从而得出这两者在对女性精神层面的追求上是同一指 向，即女性自我救赎。身体写作指向道家的、审美的救赎，而民间写作则指向儒 家的、道德的救赎；前者回到女性本体，丰满了女性身体的真实性和复杂性，后 者却对女性生存的立体性与偶然性作了更为细致的写生，一个写个体，一个塑群 像，共同展现了女性世界的众生相。 关键词：身体写作；民间写作；救赎 I Abstract Upon entering the new century, the research on feminism literature has been the subject for many scholars. The works on feminism has recently become somewhat of a hot area within certain branches of cotemporary scholarship. This essay attempts to start from two tendencies in feminism literary creation and compare their difference in terms of its feminism writing. It is well-known that the emergence of body writing has attracted much attention and especially, the increasing criticism over the past decades, by many writers and commentators. However, the original aim of the body writing has been obliterated. On the other side of this coin, popular literature creation is widely applauded by many others and many works have won prizes and recognition since it reflects the popular life of the groups who have no rights to express themselves. This essay compares these two types of feminism literature on body and popular writing. Based on text analysis and the rationale behind this literary creation, I argue that these two types of works have the similar concerns in term of feminist mentality, namely the feminist self-redemption. While the former implies a type of redemption from the perspective of Daoism aesthetics; which epistemologically locates women as the subject of writing and thus enriching the authenticity and complexity of women’s body; the latter im