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Part I Multiple Choice
D1.. Zi Lu, Ran You and Gongxi Chi’ aspirations represent______, while Zeng Dian’s reflects______.
A. personal ambition; selfishness
B. lofty ideals; meaningless pursuit
C. personal struggle; generous contribution
D. individual contribution to society; harmony
How is the “energy” of “one-stroke character” achieved?
A. By pressing the brush harder
B. By writing the character with only one stroke.
C. By writing the strokes at one go.
D. By connecting the strokes in the interior.
5. How was Chinese calligraphy displayed by Lin Huaimin?
A. By dance B. By script C. By music D. By brush
The winding path in the gardens reflects the Chinese philosophy of being ______.
A. unrefined B. irresistible C. uninhibited D. reserved
7. What can we learn about Peking Opera through the saying “watching a play is watching famous actors?”
A. The viewers go to the theatre to see the actors instead of the play.
B. The famous actors are good-looking and perform well.
C. The actors are good at all the four basic aspects of Peking Opera.
D. The performances of the actors are as important as the play itself.
8. According to Sunzi, the strategy of the level in a war is to______.
A. use different strategies
B. frustrate the diplomacy of the enemy
C. attack the army of the enemy
D attack the city of the enemy
10. Which of the following is irrelevant to the pictographic symbols of Chinese characters?
A. Aspiration B. Imagination C. Creativity D. Allusion
Part II True or False Answers
___According to Laozi’s philosophy of naturalness, man should not attempt to manipulate nature.
___( The driving force for building the Great Wall is to protect the lives and peace from wars.
___Guanyin or the Goddess of mercy, known also as the Bodhisatva, is the founder of Buddhism.
___ The names of some Chinese dishes cannot be understood literally.
___ According to ancient Chinese people, music could not
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