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Analysis of musical instrument sounds by source–filter–decay model
ANALYSIS OF MUSICAL INSTRUMENT SOUNDS BY SOURCE–FILTER–DECAY MODEL
Anssi Klapuri
Tampere University of Technology, Institute of Signal Processing
Korkeakoulukatu 1, FI-33720 Tampere, Finland
anssi.klapuri@tut.fi
ABSTRACT the harmonic partials which “sample” the instrument timbre at the
This paper proposes a way of modelling the time-varying spectral corresponding frequencies. Joint estimation of the source signal and
energy distribution of musical instrument sounds. The model con- the filter has been previously studied in speech processing, but typi-
sists of an excitation signal, a body response filter, and a loss filter cally with very different assumptions [4].
which implements a frequency-dependent decay. The three parts are The proposed method is evaluated by measuring its accuracy in
further represented with a linear model which allows controlling the representing 33 different musical instruments. Also, we evaluate its
number of parameters involved. A method is proposed for estimating usefulness for auditory stream formation, which refers to the task of
all the model parameters jointly, taking into account additive noise. separating sounds from a polyphonic signal and classifying consec-
The method is evaluated by measuring its accuracy in representing utive sounds into streams associated with a certain sound source.
33 musical instruments and by testing its usefulness in extracting the
melodic line of one instrument from a polyphonic audio signal. 2. SIGNAL MODEL
I
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