弹词歌曲《蝶恋花.答李淑一》的演绎.pdfVIP

II 摘 要 社会的繁荣与发展, 促进了声乐艺术的不断完善和成熟。人们对声乐艺术的热爱，以及 声乐艺术研究的工作者对声乐艺术的不断探索和创新，使声乐艺术形成了一套比较完备的艺 术体系。一般分为三种唱法：美声、民族和通俗。在这三种唱法中，民族声乐是最具有民族 性的。民族声乐艺术结合了民族的文化传统，生活习惯，并且有时还会吸收一些地方戏曲曲 艺的演唱特征，以及它们的表演风格。作为非物质文化遗产的苏州弹词是地方曲艺的一种， 它的语言和唱腔等特性，也会被民族声乐艺术工作者巧妙的运用在民族声乐演唱中，从而深 受大家的喜爱。在民族声乐演唱中借鉴吸收苏州弹词，对苏州弹词的传承有着重要的作用， 并且对民族声乐演唱的多元化也有很大的帮助。本文以弹词歌曲《蝶恋花 ·答李淑一》为 例，以小见大，分析其历史背景、语言、唱腔的特点，并且结合自身艺术实践的切实感受， 探究如何更好的在民族声乐演唱中吸收与借鉴苏州弹词艺术。 关键词：苏州弹词； 《蝶恋花 ·答李淑一》；演绎 I Abstract The prosperity and development of society, to promote the art of vocal music continue to improve and mature. People who love the art of vocal music, and vocal music art research workers of the art of vocal music of continuous exploration and innovation, make the vocal music art has formed a set of relatively complete art system. Generally divided into three types: Bel canto singing, folk and popular. In this three kinds of singing, vocal music is most has the national character. The national vocal music art with national cultural tradition, living habits, and sometimes absorption features of singing some local opera, as well as their performance style. As the intangible cultural heritage Suzhou Tanci is a kind of local folk art, language and singing characteristics of it, also be national vocal music art workers skillfully used in national vocal music, so loved by everyone. In national vocal music absorbed on Suzhou Tanci, plays an important role in Suzhou Tanci inheritance, and also has the very big help to the diversity of ethnic vocal music. Taking the Tanci songs Dielianhua • a. Li Shuyi the child is father of the man, for example, analysis of the historical background, language, singing characteristics, combined with their own practical experience of art practice, explore the absorption in national vocal music from the Suzhou Tanci art how to better. Keywords: Suzhou Tanci;