蒙特威尔第与格鲁克歌剧人物奥菲欧艺术形象比较的研究.pdf

蒙特威尔第与格鲁克歌剧人物奥菲欧艺术形象比较研究 摘 要 纵观歌剧发展的四百多年漫长岁月，它由最初的涓涓细流逐渐发 展成了后来的滔滔长河，这正是其不朽生命力的体现。《尤丽狄茜》是 歌剧历史上的“开山鼻祖”，在歌剧艺术诞生之初就与它结下了不解的 渊源。蒙特威尔第首先确立了歌剧的艺术形式，并且以“音乐承载戏 剧”这一质朴的核心理念作为歌剧创作的价值标准，他的第一部歌剧 《奥菲欧》承载着这一伟大的艺术思想揭开了辉煌歌剧时代的序幕。 接着，格鲁克又以其《奥菲欧与尤丽狄茜》打响了他“歌剧改革”的 旗帜。他选用与蒙特威尔第《奥菲欧》同样题材的故事进行创作，从 另一方面可以看作是对蒙特威尔第歌剧创作传统的继承与发展。 蒙特威尔第与格鲁克这两位歌剧发展早期的代表人物，在歌剧史、 乃至整个音乐史中都占有重要的地位。在“音乐为歌词服务”这一共 同思想原则下，他们的作品有其共同的特点，但是作为两个不同的作 曲家，他们作品的立意与创作手法又显示出明显的不同。本文主要通 过对两部剧中主要人物奥菲欧的艺术形象进行比较，来探索深藏于其 中的艺术价值与特征，从而为诠释这两部作品提供一个更加全面的视 角和更加深刻的认识。 关键词：奥菲欧；歌剧人物；艺术形象；比较 I Abstract Opera, which is like the little trickle gradually becoming the mighty ocean, has shown its vitality throughout the development history of more than 400 years. Euridice, as the early masterpiece, has formed a permanent relation with the art of opera. Monteverdi, whose first opera Orfeo started the glorious era of opera, was the first to establish the artistic form of opera, and he thought the standard of value to create operas was the simple core idea that opera should be loaded by music. Gluck created Orfeo and Euridice for his opera reform, and he chose the story of the theme as Monteverdi did, which could be seen as the inheriting and developing of Monteverdi’s artistic tradition. Monteverdi and Gluck are the early representative figures, both of whom have played the important roles in the opera history, and even in the whole music history. The works of them share the same characteristics under the guiding idea that music is for lyrics, but as two composers, they are obviously different in the creating themes and techniques. In this thesis, the artistic images of same character Orfeo in the two different operas are compared, aiming at discovering the underlying artistic value and features, which may offer a more co