水彩创作中的意象表现修改(20页).doc

水彩创作中的意象表现 The Expression Of Image In Watercolor Creation 冯信群1，刘文良2 Feng Xin Qun1, Liu Wen Liang2 (1. 东华大学 服装与艺术设计学院环艺系，上海，200051； .东华大学服装与艺术设计学院环艺设计系研究生，上海，200051)（1.Environment Art Department of Costume and Art Design College of Donghua University, Shanghai, 200051; .A graduate studying in Environment Art Design Department of Costume and Art Design College of Donghua University, Shanghai, 200051）Abstract] Image, as a distinctive thinking pattern existing between the western figurative and abstraction, embodies the humanitarian temperament and cultural psychology in Chinese culture. With the method of forming the image by observation and the appeal of expressing the meaning by establishing the image, image transfers images by setting meaning as an image and creating an image by meaning. This method furthers its influence on imaging expression in national artistic creations. This paper aims to do a further research on the imaging expression of water color paintings in the modern context. On one hand, it absorbs the quintessence of imaging expression of traditional Chinese painting. On the other hand, it explores the imaging expression from the aspects of new material techniques, the introduction of visual shape and designing elements. To form a theory on establishing image as a unique thinking pattern of Chinese imaging watercolor artistic, the study can broaden the watercolor artistic creation, enrich the artistic language of watercolor painting, prompt the artistic sense towards the painting and instruct the creation in practice. 【关键词】水彩；创作；意象；意象表现 [Keywords] watercolor ; creation; Image ;expression of image 引言 Introduction 水彩作为西方舶来画种，在中国已有百年发展历程。由于中华民族有着悠久的道家、佛家哲学的传统积淀，博大精深的文化传统，使得来自西方的水彩画在中国得到了不同生存、发展的文化环境和土壤，形成了中国水彩发展与西方水彩不同步的状态，其发展历程注定它具有西方水彩画的特点和中国文化特征，并呈现出独特的意象化审美内涵。而如何将“意象”这一中国传统文化的精髓融入到现代水彩艺术创作中去，在当代社会与文化语境中对意象水彩创作作进一步拓展，使具有中国文化主体意识的中国水彩有多元化的意象表达，是我们当代水彩画家们共同的课题。 研究现状 Research of nowadays 意象水彩艺术研究从属于水彩艺术民族化问题。中国水彩百年的历史可谓民族化历史，自明清时期，西学东渐、西方水彩传入