《巴夏57 音乐幻场与黄金比率（定稿）》.docVIP

巴夏57 音乐幻场、黄金比率 翻译：觉醒者 Q: I want to inquire about the sound current. 问：我想咨询些关于音流的事。(00:03-00:06) B：Sound current. 巴夏：音流。(00:07-00:08) Q：The way I understand it is, there is physical sound we play with in music and we hear with the physical ear and there’s sound we don’t hear with our physical ear. 问：我理解这个的方式是，有我们奏乐物质声音， 我们的耳朵能听到的一些声音，也有我们耳朵听不到的声音。(00:09-00:16) B：Yes. There is always an energetic template underlying. And then yes, between the two a third vibration is created, a third reality is created as well. So it is always actually a trinary vibration. 巴夏：是的。这过程总会有个潜在的能态模板承载着。 是的，在二者之间有第三种振频，第三种实相也被创造了出来。 所以它总是三相振频。(00:17-00:32) Q：So that third element, is that a sound current or like the way I was envisioning it, there was physical sound and the other side of sound, and in the middle the aural cookie would be the light? 问：所以那第三个元素，是音流还是像我想象的那样， 有物质声音和另一面的声音，然后之间的与听觉相关的东西是光？(00:33-00:43) B：Well, in a sense. You can use that analogy if you wish, yes. 巴夏：如果你愿意，你可以这样类比，是的。(00:45-00:49) There is that which we say is the template so to speak, there is that also from which the template is born, 那有我们说的那个能态模板，以及能态模板的来源， in this case the template is actually the secondary. 所以这里能态模板是第二位的了。(00:50-01:00) But yes, out of the light comes the template and the tangible or the manifest if you wish. If that make sense to you. 不过，是的，从光中来的是能态模板，还有可感知的部分或显化实化的部分。 如果这样说你能明白。(01:01-01:11) Q：It does. 问：是的。(01:12-01:13) B：You might call, shall we say, the original matrix, so to speak, that which gives the rise to the eidolonic field which gives rise to the manifested reality. 巴夏:从（你们也许称作）“根源矩阵”里产生出了这个幻场， 从这个幻场中又产生了被显化的实相。 (01:14-01:29) Eidolon, eidolon is a reference to what you would recognize as spirit, the template reality which emerges from the matrix, the original matrix of all-that-is which is totally invisible and seems like nothing but is everything. 这里的幻场的“幻”指的是你们称为“灵性或精神性”，那个能态模板实相 从完全不可见、什么都不像 却才是“一切万有”的那个根源矩阵中被产生。［两仪式笑而