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In Praise of Shadows
Junichiro Tanizaki (Leete’s Island Books, 1977)
What incredible pains the fancier of traditional architecture must take when he sets out to build a
house in pure Japanese style, striving somehow to make electric wires, gas pipes, and water lines
harmonize with the austerity of Japanese rooms—even someone who has never built a house for
himself must sense this when he visits a teahouse, a restaurant, or an inn. For the solitary
eccentric it is another matter, he can ignore the blessings of scientific civilization and retreat to
some forsaken corner of the countryside; but a man who has a familiy and lives I the city cannot
turn his back on the necessities of modern life—heating, electric lights, sanitary facilities—
merely for the sake of doing things the Japanese way. The purist may rack his brain over the
placement of a single telephone, hiding it behind the staircase or in a corner of the hallway,
wherever he thinks it will least offend the eye. He may bury the wires rather than hang them in
the garden, hide the switches in a closet or cupboard, run the cords behind a folding screen. Yet
for all his ingenuity, his efforts often impress us as nervous, fussy, excessively contrived. For so
accustomed are we to electric lights that the sight of a naked bulb beneath an ordinary mild glass
shade seems simpler and more natural than any gratuitous attempt to hide it. Seen at dusk as one
gazes out upon the countryside from the window of a train, the lonely light of a bulb under an
old-fashioned shade, shining dimly from behind the white paper shoji of a thatch-roofed
farmhouse, can seem positively elegant.
But the snarl and the bulk of an electric fan remain a bit out of place in a Japanese room. The
ordinary householder, if he dislikes electric fans, can simply do without them. But if the family
business involves the entertainment of customers in summertime, the gentleman of the house
cannot afford to indulge his own tastes at t
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