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NATURE’S DRAWING: PROBLEMS AND
RESOLUTIONS IN THE MATHEMATIZATION OF
MOTION
Abstract
The mathematization of motion around the turn of the 17th century
involved the ascription of new ontological status to both motion and its
mathematical depiction. For Kepler and Galileo geometrical curves were
not ideal representations of motion, but traces left by nature itself, which
the mathematician is called upon to analyze. In contrast to their
Renaissance predecessors, for whom mathematical order was alien to
motion, Kepler and Galileo construed nature in terms of pure motion,
essentially mathematical, hence orderly. Their later century successors
no longer conceived the application of mathematics to nature as
requiring difficult metaphysical legitimation. For Huygens and Hooke the
mathematical structure of nature resides in its malleability to the
manipulations of the mathematician.
The Resolution
And I have not satisfied my soul with speculations of abstract Geometry, namely with
pictures, “of what there is and what is not” to which the most famous geometers of
today devote almost their entire time. But I have investigated the geometry that, by
itself, expresses the body of the world following the traces of the Creator with sweat
and heavy breath. (Kepler, Ad Vitellionem , Dedication to the Emperor)1
These are the words in which Kepler expresses his ideal of mathematical
investigation of nature and these are the words with which Galileo
introduces his readers to his great achievement in mathematical
1 “Neque animum explevi speculationibus Geometriae abstractae, picturis scilicet
Και των οντων και μη οϖτων, in quibus pene sol
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