姓名：杨如意在现实与道德之间------略论中国当代民俗油画现状及未来存在的意义+教程分析.docVIP

论文题目：在现实与道德之间 ------略论中国当代民俗油画现状及未来存在的意义 专 业：美术学 硕 士 生： __________ 指导教师： __________ 摘 要 本文立足当代，探讨了Subject: between reality and morality ?????????????? ------ On the status quo of contemporary folk paintings and future presence in China Specalty: Fine Arts Name: __________ Instructor: __________ Abstract This article is based contemporary, mainly describes the current situation and future of Chinese genre painting the meaning of existence, briefly introduced the folk, genre paintings meaning and the emergence and development, and the status of Chinese contemporary genre paintings done some thinking. Articles are discussed from four aspects: Part I, about the folk custom and genre painting. The folk, folk paintings interpret the meaning, and then made a brief exposition of its emergence and development; Part II, the emergence and development of Chinese genre painting , genre painting originated in the Netherlands, Chinese genre painting began about previous in the 1980s, influenced by Brvegel is relatively large. Therefore, from the point of view of form and content, Chinese genre painting is Holland genre painting of the localization and nationalization. Genre painting with the theme of the daily lives of ordinary people, is an ode to everyday life. Is also presented and secular life for human nature. Part III, based on contemporary, mainly on the status of contemporary Chinese genre painting analysis, a number of genre painters and their works do a deep analysis, summed up the problems of Chinese genre painting. The fourth part is to explore the outlook for Chinese contemporary genre painting and the reality of living space presence, In conclusion, in the contemporary economic globalization and cultural integration, the integration of urban and rural China process accelerate, city, urbanization is a fundamental challenge to the genre painting, the face of the cruel reality, the development of genre paintings have hitherto unknown chall