新时期我国纪录片创作多元化发展地研究论文.docVIP

新时期我国纪录片创作的多元化发展研究 摘 要 我国的纪录片创作呈现出多元化发展的态势。我国纪录片创作的 多元化发展一方面是由新时期我国社会在政治、经济、文化领域的重 大变革引起的，另一方面则是受到西方经典纪录片电影理论和创作实 践的影响。目前我国纪录片创作的多元化发展主要表现在制播模式、 创作内容、创作理念和表达方式等方面。在这近 30 年的发展中，我 国纪录片创作的主体由单一的官方媒体发展成为主流媒体、民营机 构、独立制片人三足鼎立的格局，在运作模式上实现了制播分离，走 上了更为商业化、国际化的道路。随着新时期社会阶层、社 会价值的 变迁，我国纪录片创作在价值取向上形成了主流文化、精英文化、大 众文化和边缘文化并存的格局，在题材上更加广泛。在创作理念上， 实现了各种观念兼容并包，各放异彩的态势，在表达方式上更为灵活、 自由，实现了真实记录与艺术叙事的完美结合。 关键字：改革开放，纪录片，创作，多元化，真实性 STUDY ON DIVERSIFIED DEVELOPMENT OF CHINESE DOCUMENTARY AFTER THE REFORM AND OPENING-UP ABSTRACT Since the Reform and Opening-up, Chinese documentary shows the diversified development which is on one hand originated in significant changes in political, economic and cultural fields in our society, on the other hand, is subject to Western classical documentary film theory and practice. Currently, Chinese diversified development mainly manifested in the system of broadcast model, content, ideas, expression and so on. In the latest 30 years, mainstream media, civilian-run company and sole distributor replaced a single official media become the producer of documentary in our country. In the mode of operation, the separation of produce and broadcast has been realized which means the documentary enjoys more commercial and international development. Along with the changes of social class and values, the value orientation of Chinese documentary has formed the situation of coexisting of mainstream culture, elite culture, popular culture and marginal culture and the subjects of Chinese documentary become more extensive. Diversified concepts are accepted in creation and production of Chinese documentary, and the flexibility and freedom in expression bring about the combination of real recording and aesthetical narration in Chinese documentary. Ｋｅｙ　ｗｏｒｄｓ：　 Reform and Opening-up, documentary, production, diversification, authenticity 上海交通大