Disgrace of Stereotypical Ambivalence: A Postcolonial Perspective on J. M. Coetzee’s Disgrace.docVIP

Disgrace of Stereotypical Ambivalence: A Postcolonial Perspective on J. M. Coetzee’s Disgrace.doc

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Disgrace of Stereotypical Ambivalence: A Postcolonial Perspective on J. M. Coetzee’s Disgrace.doc

Disgrace of Stereotypical Ambivalence: A Postcolonial Perspective on J. M. Coetzee’s Disgrace   [a] College of Foreign Languages, Chongqing Jiaotong University, Chongqing 400074, China.   * Corresponding author.   Received 11 October 2012; accepted 19 December 2012   Abstract   The study is an attempt to clarify the thematic misgivings J. M. Coetzee’s Booker Prize winning novel Dtagonist David Lurie, his stereotypical ambivalence and his disgrace, so as to reveal that under Coetzee’s lucid and evasive language, ends to disclose the secret of disgrace for the whites in the new South Africa after the collapse of the apartheid system.   Key words: David Lurie; Disgrace; Stereotypical ambivalence   WANG Min, TANG Xiaoyan (2012). Disgrace of Stereotypical Ambivalence: A Postcolonial Perspective on J. M. Coetzee’s Disgrace. Studies in Literature and Language, 5(3), -0. Available from: http:///index.php/sll/article/view/j.sll.1923156320120503.1116   DOI: http:///10.3968/j.sll.1923156320120503.1116   INTRODUCTION   The novel Disgrace, published in 1999, is J. M. Coetzee’s first novel about the post-apartheid South Africa. Unlike his previous novels, which are devoted to the condemnation of the apartheid system, for it has become a thing of the past after the disintegration of white supremacy in 1994, this novel focuses more on the disgrace of the whites in the new South Africa when they have lost their power.   It mainly investigates the consequences of white South African disempowerment on individuals. As is pointed out by Charles Sarvan, Disgrace “can be read as a political text, munity in South Africa and with some of the choices available to them.” (Charles, 2004, p. 26). Three types of whites are characterized in the novel: David Lurie, tagonist, his daughter Lucy and Lucy’s neighbor Ettinger.   Lucy is a quite open-minded person. She owns a farm in the countryside of Eastern Cape and lives peacefully with her black neighbors. Bpletely. Three blacks rob

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