论琵琶乐器合奏乐中的艺术性融合 姜茗雅.docVIP

论琵琶乐器在合奏乐中的艺术性融合 摘要：琵琶在中国传统的弹拨乐器中占有很重要的位置.历经1000多年的流传与发展，从形制和曲目积累上都日益完善。且有丰富的演奏技法和鲜明的个性特点，以及富有变化的音色，能给人很好的听觉享受。使其逐渐成为深爱人们喜爱的一件独奏乐器时，同时在乐队合奏中，琵琶能增加音乐的感染力、丰富乐队的色彩，也使之成为乐队中不可缺少的弹拨乐器。琵琶融入乐队需要特别的训练，应着重注意乐队中琵琶音色及节奏的控制、必须把琵琶作为独奏乐器鲜明的个性和富于变化的音色融入到合奏艺术中去，还需注意琵琶声部在乐队中音响的平衡与统一等几个重要环节和事项。这样琵琶不仅能在独奏中绽放独特的魅力，在合奏表演中，也具有极强的感染力，给乐队的演奏添加丰富的色彩，特别是在中国传统的古典乐合奏中，琵琶是不可缺少的弹拨乐器。关键词：琵琶；民族音乐；音色控制；节奏控制；气息与张力的训练 Abstract: pipa in China occupies very important position in traditional plucked instruments. After 1000 years of spread and development, from the shape more perfect and tracks to accumulate. And have a lot of playing skills and personality characteristics, as well as the rich change tone, can give a person a good enjoy hearing. Make it gradually become love people like a solo instrument, in the orchestra at the same time, the pipa can increase the appeal of music, the band color rich, also has become indispensable instrument in the band. Pipa into band need special training, attention should be paid the band in the pipa tone and rhythm control, must take the pipa as the solo instrument is distinct personality and abound change of tone into art ensemble, also note the pipa voice sound balance and unity in the band and such factors as considerations. So the pipa can not only in solo, unique charm, in the ensemble performance, also has a strong appeal, to add rich color band, especially in the Chinese traditional classical ensemble, pipa is indispensable plucked instruments. Key words: the pipa; National music; Voice quality control; Rhythm control; Art into 目录 ：琵琶音色的控制在乐队中的重要性 1.1、琵琶的音色 1.2 在乐队中琵琶音色的控制 第二章：节奏意识的稳定对于乐队的重要性 2.1、稳定的节奏意识 2.2、解决技术问题 第三章：视奏的重要性 3.1、培养良好的视奏习惯 3.2、线谱、简谱视奏能力的训练 第四章:气息与张力的训练 4.1、气息的训练 4.2、张力的训练 前言：琵琶在中国传统的弹拨乐器中占有很重要的位置，历经1000多年的 流传于发展，从形制和曲目积累上