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A Comparative Study of The Dreams in The Peony Pavilion And A Midsummer Night’s Dream
哈尔滨师范大学 王梦莹
《牡丹亭》与《仲夏夜之梦》中“梦境”的对比研究
Abstract
This paper will carry a comparative study on common points of two classical romantic dramas between 16th and 17th centuries——The Peony Pavilion and The Midsummer Night’s Dream. Tang Xianzu(1550-1616) ,the author of the Peony Pavilion and William Shakespeare(1564-1616), the author of A Midsummer Night’s Dream lived in the same historical period.influential drama creators in the literature history of their countries. The Midsummer Night’s Dream was one of reprehensive works of Shakespeare, which has been adapted into movies, stories, games, and paintings. Similarly, The Peony Pavilion was also the most important works of Tang, which consolidated his significance not only in The literary circle of Ming dynasty but also in the Chinese ancient history.
The last part is the conclusion. After a series of analysis, this paper draws these conclusions: the depression of love and sex is the logical resource of two dreams. The process of dreams is also the confliction between secular ethics and individual consciousness. The satisfactory results of the two works are the reflection of ideological emancipation.
Key words: comparative study the Peony Pavilion A Midsummer Night’s Dream dreams
摘 要
本文将对十六,十七世纪东西方两部重要的戏剧巨著进行对比分析——《牡丹亭》和《仲夏夜之梦》,并总结分析出两部作品中“梦”这一意象的相同点。《牡丹亭》的作者汤显祖(1550-1616)和《仲夏夜之梦》的作者莎士比亚(1564-1616) of two dreams in the Peony Pavilion and A Midsummer Night’s Dream
1 Introduction
1.1 Tang Xianzu and The Peony Pavilion
Tang Xianzu(1551-1616),who also named Yi Reng, was borned in Lin Chuan city, Jiang Xi province. He was admitted to the government in his 34 and he once in charge of former Nanjing minister At first, he was once a politician who tried to achieve the political aim to serve for the people. But he was disappointed by the increasingly corrupt social misfits. As the witness of the corruption of the bureaucracy, he on
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