firm narrative电影的叙述(英文).pptVIP

;Storytelling as part of culture and memory;Functions of storytelling;Storytelling and film narrative;Storytelling and film narrative;Film structure : Narrative and style;Story and Plot.;Detective Film: STORY (a-f) vs PLOT (d, e and f);Scene, sequence, segment;Diegetic and non-diegetic elements;Causality;Narrative development;Narrative development;Rashomon-background information;Robert Altman on RASHOMON?;Characters;Characters in Rashomon;Narration and focalisation;Multiple narrations in Rashomon;Time;Space;Space in Rashomon: 1- the gate to Kioto;Space in Rashomon – 2 - the forest;Space in Rashomon:3 - the courtyard;How time and space work together in Rashomon;Depth of Story Information;Some questions on Rashomon;Basic Differences between Mainstream and Art Cinema;Mainstream (Classical Narrative Model) Cinema: Linear plot in which each action sets up and leads to subsequent actions. Art (Modernist) Cinema: Episodic plot in which actions may be secondary to impressions, attitudes, or states of mind. Mainstream (Classical Narrative Model) Cinema: Scenes follow one another in a way that suggests causality. Each action functions the cause of later actions or events. Art (Modernist) Cinema: Chance plays a large role. Events seem to occur without clear-cut causes. Feelings and the exploration of consequences loom larger than causality. Mainstream (Classical Narrative Model) Cinema: Style is relatively unnoticeable (via continuity editing); stress is on the behavior of main characters, physical actions, and dramatic situations. Art (Modernist) Cinema: Style is relatively noticeable; stress is on inner states of mind of main characters, emotional responses, and a general tone or atmosphere. ;Mainstream (Classical Narrative Model) Cinema: The world in which the action occurs, the diegesis, has a coherence and plausibility to it. Art (Modernist) Cinema: The world of the characters may be incoherent or fragmented so that links between characters, situations,