八大山人书风形成的过程及其启示.pdfVIP

目 录 引 言··························································1 第一章 关于八大山人的书风特点····························· 3 第二章 八大山人前期书法的取法特征·························4 第一节 多元化的从古之路············································ 4 第二节 个性化的拟古取向 ··········································6 第三章 八大山人中期书法的变法努力·························9 第一节 个性书法图式的初步呈现··································9 第二节 个性书法图式语言的前期探索···························10 一、 狂草书法空间语言的大胆探索····································10 二、 方切侧势用笔的个性选择··········································11 三、 奇异章法的逐步呈现 ············································ 12 第三节 个性书法图式语言的演化··································14 一、个性书法语言的进一步强化········································14 二、个性书法图式的成熟迹象 ·········································· 15 第四章 八大山人后期书法的 “成法”风貌 ······················ 18 第一节 八大山人后期所形成的个性书风·························18 一、八大山人65 岁后个性书风的整体呈现··························· 18 二、八大山人70 岁后书风的返璞归真································· 19 第二节 影响八大山人后期书法的几个因素···················· 20 一、“篆书”的影响······················································ 20 二、“李邕书法”的影响················································· 22 三、“晋人书法”的影响················································· 23 第五章 八大山人书风形成过程的启示 ························24 第一节 八大山人书法中期变法本身的意义·····················24 一、中期变法对早期书法“破法”的意义·····························24 二、中期变法对晚期书法“成法”的作用·····························25 第二节 我们从中得到什么启发···································· 26 一、戒骄戒躁，深入书法的宽博传统·································· 26 二、敢“破”敢“立”，演绎书法的生命意义··························27 结 语 ··························································28 参考文献 ·························································29 致 谢··························································30