从《水中倒影》看德彪西钢琴音乐的演奏风格.docVIP

　　从《水中倒影》看德彪西钢琴音乐的演奏风格 摘 要 德彪西是印象主义的创始人和杰出代表。他的创作不是用音符来完成,而是通过他对声音和色彩的最特殊的感悟力,用他独具特色的创作技巧,用最引人入胜的音响构筑而成。德彪西的钢琴创作作品足以帮我们了解这1伟大作曲家。笔者通过对德彪西《水中倒影》的曲式、调式调性、声音概念的变化的分析，探讨了德彪西其和声风格和演奏风格，并讨论了演奏中的难点及相应的解决方法。 印象主义音乐对手指技巧、踏板技术等都提出了新的要求，也对于听觉感受、观念意识、心灵体验都进行了全方位的更新，使人进入1种全新的理念。演奏并把握好印象主义时期德彪西的作品，必将达到1个新的境界。 关键词：印象主义；曲式；调式调性；声音概念的变化；作品演奏 ABSTRACT A remarkable representative and founder of impressionism, Debussy, usic tones but by his special understanding about music and color, by his unique, on pared skills and tones, building together. Debussys piano creation ainly talks about the position style oflt;In age gt; of Debussy. emphasizing his stone personality, analyzing the variability of his voice conception. ance style of Debussy. Finally his e suggestions. Impression of fingers, music skills, treadle technology have presented neands, but also for hearing feelings, ideas, consciousness, spiritual experience is a prehensive update of entering a pletely nepression, and a good grasp of the period Debiaoxi pressionism; position style; style and personality of tone; variability of voice conception; the ance 目 录 摘要I ABSTRACTII 绪论1 1、印象主义时期德彪西的音乐1 2、《水中倒影》印象主义的艺术特征2 1. 曲式结构3 2. 调式调性3 3. 声音概念上的变化4 (1) 和声4 (2) 复杂的层面6 (3) 力度7 (4) 触键7 (5) 踏板8 3、总体概括德彪西钢琴音乐的演奏风格及对后世音乐的影响8 1. 演奏风格8 2. 对后世音乐的影响10 结论11