从中国钢琴曲的创作谈音乐的民族性.docVIP

　　从中国钢琴曲的创作谈音乐的民族性 摘 要 钢琴艺术是来自欧洲的音乐艺术，它真正进入中国社会，是在19, 20世纪之交。在接受、学习、借鉴这1人类优秀音乐文化成果的同时，中国自己的钢琴艺术也随之孕育、萌芽、成长起来。创作是中国钢琴艺术的主体，中国的作曲家们1直在向着使钢琴民族化的方向努力着。民族化的创作不单单是指在钢琴上弹出中国风格的旋律曲调那么简单，而是要把钢琴这件西方乐器作为工具，创作出具有完全的中国气质，符合中国人审美的作品来，并逐渐形成1套建立在中国调式特性基础上的民族和声。 本文谈到了中国钢琴曲民族性创作和发展的阶段，以及中国钢琴曲民族性创作的多元化；并对210世纪中国钢琴音乐民族化的趋势进行分析：中国钢琴曲应走中国化、民族化道路。正如1934年《牧童短笛》的出现，则标志着中国钢琴艺术创作从早期的探索阶段进入到真正的艺术创作阶段。中国钢琴艺术创作历经近百年的挫折与繁荣，取得较大成就，形成具有多种风格、多种体裁的钢琴曲库，包括改编作品、原创作品，大型协奏性作品等。中国钢琴的民族化进程中许多民族乐器的音色和技巧被引入钢琴曲的创作，这些演奏技术直接反映出中国的钢琴音乐创作对于本民族传统乐器和乐曲的模仿和借鉴。新的时期更多现代技法和新技法的运用，又给中国钢琴创作提供了更广阔的空间和前景。 关键词：音乐；民族性；中国钢琴；创作 ABSTRACT Piano art is es from Europes music art, It enters the Chinese society truly, Is in 19, 20 turns of the century. this human outstanding music culture achievement, The Chinese piano art also along ain body, Chinas posers are turning toelody melody to be so simple, But is must take the piano this usical instrument the tool, Creates has the plete Chinese makings, Conforms to the Chinese esthetic s set of establishments gradually in the Chinese mode characteristic foundation nationality and the sound. This article talked about the Chinese steel qin tune national characteristic creation and the development stage, As ultiplication; And carries on the analysis to the 20th century China piano music nationalitys tendency: The Chinese steel qin tune should bolized the Chinese piano art creation enters from the early exploration stage to the true artistic creation stage. The Chinese piano art creation has been through repeatedly the near hundred year setbacks and the prosperity, Obtains the great achievement, Obtains the great achievement, Forms has many kinds of styles, many kinds of literature style steel qin tune storehouse, Including reorganization ent many national musical instrument timbre and the skill are introduced the steel qin tune the creation, These performance technology directly reflects Chinas piano music creation regarding this national tradition musical instrument and the music imitatio