支谦的翻译风格和影响.pptxVIP

支谦的翻译风格 ;It is extremely difficult to characterize Zhi Qians translation style, for the corpus of his authentically attributed works ranges from elegant literary creations, in which most foreign names and terms are translated into Chinese, to much more cumbersome productions which bristle with multisyllabic transcriptions of Indian words. ;It seems likely that translations of the latter type, which resemble those produced by Zhi Loujiachen(支娄迦谶), may have been produced early in his career when Zhi Qian was still an active member of the circle of Zhi Loujiachen s heirs; the more literary works in Zhi Qian‘s collected works appear to have been produced after his move to the south, and they share many stylistic features with the work of his Wu-kingdom contemporary, Kang Senghui (fl. 247-280 CE). In particular, both Zhi Qian and Kang Senghui freely included indigenous Chinese religious terminology in their work. ;质The translation of substantialness (1).“因循本??，不加文饰” Equate the original literalness and simplicity not with embellishment. (早期观点） (2).翻译佛经时，的直译：”beautiful words are not faithful, and faithful words are not beautiful…. Conveying the Sanskrit meaning, straightforward rendition is preferred. ”（佛经翻译都应直接表达梵文的真实义理 ） ;;约 simplicity （1.）尽量减少梵文的繁复和音译 opposed to the translation of sound, or transliteration. Zhi Qian criticized Lokaksin’s translation as being overly simple with excessive use of foreign sound. He likened simple translation to transliteration ? ? 过分约的后果： 文风典雅，主旨不明，（后人的评价）though beautiful in style, confused in respect of the central theme….The monastic ideal is distorted by his undue elegance of language, and the true taste flattened by the extravagance of the style ? ;总之，文而不越, 约而意显 Simple but not uncouth, brief but without losing the essence 综上说述， 翻译风格，“由质趋文”，也是佛经翻译的发展必然趋势，支谦开风气之先不可否认。 尚文尚约 应该调和 ;Influence: 瞎子摸象，天女散花，南无阿弥陀佛 Promote the spread of Buddhism culture His translation style had profound impact