现实漫画分格大法（国外英文资料）.docVIP

现实漫画分格大法（国外英文资料） The reality cartoon division big method Comic frame The reality is that the author maintains a complete personality and does not use a comic book that is intended for commercial purposes. People who have personalities know much, and they have learned some of their ideas. Although these tips from alternative town and some of their predilection for Japanese manga unceasing summary, but in general there are still some common value. In addition to not entirely applicable to teenage girls, there seems to be some use of these weird laws in other styles of comics. In this case, we should share with the good people. This law is divided into seven, with several corollaries, though they dare not say use it as a god, and there will always be some. The following list: One, big thing small, small object big Two, say one, do one Three, 45 degrees Four, the road is in the sky, only go one side Incomplete cutting Six, effective repeat, invalid jump Seven, one, two, two, three The following representative: The first big little, little thing, that is to say with smaller and larger format performance, instead of the larger and smaller than the performance of the main features, such as close shot the scene. The purpose of this is to highlight the main line of the story, and to complete the sequence of the lens. Carefully look at the famous cartoon character appearance or performance when the mood changes (small) is often of a whole page or what a big one, and transferred from one scene to another scene (large), often only need a small one in the corner. This principle is actually a drawing of what were going to do in a cartoon, and I want you to focus on where you want to go. This is a big difference between comics and film, we have the freedom to use different size of screen, at this point the cartoonist conditions more superior than the film director. By contrast, the lack of sound in the cartoon is nothing, and a friend is even trying to give up the use of the pico