游戏的精神──对版画创作的思考.pdfVIP

中国美术学院—版画系—钱江妍—游戏的精神——对版画创作的思考 Abstract The main thread of this paper is “the playful spirit”, with the first part looking for the connotation of “the playful spirit” in the commonness of playful activities by tracing to the source of play and art. The aim of this paper was to discuss the possible influence of “the playful spirit” upon the creativity, expectation to external effects and mind-set in the creative process by analysis of the relationship between the artistic characteristics of printmaking and play, comprehensive research on situationism. The study tried to explore the possibility of expanding the art languages of printmaking --such like plurality, indirectness, printing stock--by play through the discussion of the relationship of the traditional and the contemporary printmaking art works. The following chapters reflect on overlapping between the technologies of printmaking art and its standpoint in contemporary praxis and the playfulness in my creating process. The last chapter is the summary of the aim of my creation for graduation and the influence of “the playful spirit” on my creation, with the attempt to seek the direction of future creation of printmaking. Keywords : art printmaking playful activity the playful spirit development of language 4 中国美术学院—版画系—钱江妍—游戏的精神——对版画创作的思考 引 言 当代社会在机器大生产的条件下，分工越来越细，个人的存在日益碎片化， 实用主义主宰着时代，一切才能和力量都拜倒在它面前。当代艺术也难逃侵蚀， 繁荣的背后是对功利主义的趋之若鹜。 在当今功利主义泛滥的时代，作为版画艺术实践者，我们能做什么？怎么 做？通过对艺术的起源历史回溯，找寻与艺术本质相关的信息，相信能找到一些 解答。 关于艺术起源的观点很多，主要有德国作家席勒和社会学家斯宾塞提出的 “游戏说”，古希腊哲学家德谟克利特和亚里士多德提出的 “摹仿说”，德国考 古学家雷拉克提出的 “宗教魔法说”，英国人类学家爱德华、奈勒、弗雷泽和美 国心理分析学家弗罗姆提出的 “巫术说”，奥地利精神病理学家弗洛依德提出的 “心灵表现说”，俄国马克思主义理论家普列汉诺夫提出的 “劳动说”等。 其中的“艺术起源游戏说”与当代艺术、尤其是 “80 后”艺术讨论中被经 常提及的 “游戏精神”有着密不可分的联系。