论绘画构成(国外英文资料).docVIP

论绘画构成(国外英文资料) Frame of frame: During the four years of studying system oil painting in university, I came to know and master certain oil painting knowledge and techniques. In learning to absorb the teacher imparting knowledge but also widely read books, and read famous paintings, summarizes some experience, under the talk about my some humble opinions and views of the architecture of picture, if there is any deficiencies still hope the teacher to correct me! The frame of the frame is divided into three parts: 1, mental architecture (i.e., frame of thought) 2, frame 3, color frame. The relationship between the three is mutually reinforcing, promoting harmony and unity. First from the mental framework, the painter herein or conveys ideas and spirit connotation, some high, some joy, some sorrow, some cool detachment. For example, the Renaissance and its previous religious paintings, often there is a high power inside, because it to behave subject and bear the mission of the decision by the mental framework to build! The art of painting depends heavily on race, environment and age, which determines the shape of the frame of painting. In Michelangelos painting we can see is that he wants to convey the way he loved to fight, we see in Schillers painting is distorted form of struggle! During the years of theocracy, god is the sublime faith, Jesus is the spirit guide, people believe in god, worship, and hope to get salvation, to heaven after death. In the past, the practice of the world has been changed to the peace of the afterlife, and to the faith of god. In Michelangelos book of genesis, the cross of st. Peter, the final judgment is not hard to see the religious complex. And as wars, s more, the French town of guernica German attacks, artillery fire untold sufferings, originally peaceful town become the victims of war, and tragic death in the fire, people displaced. It all happened in front of Picasso, anger and grief is the painter cannot calm, how to do something for