混响效果器参数（国外英文资料）.docVIP

混响效果器参数（国外英文资料） Reverberation effector parameter Most reverberations will have some parameter options to adjust to, so lets talk about what these parameters mean. (1) Decay time is the total length of the reverberation. Different environments have different lengths, with the following characteristics: the larger the space, the longer the decay; And the shorter the space, the more empty the space, the longer the decay; Conversely, the shorter the furniture or other objects (such as pillars, etc.) in the shorter space, the longer the decay; Whereas the shorter the surface of the space the more smooth and flat the surface, the longer the decay, the shorter the reverse. Therefore, the reverberation of the hall is longer than the reverberation of the office; A room with no furniture is longer than a furnished room; The reverberation of the mountain valley is longer than the reverberation of the forest valley; The reverberation of the space of a concrete wall is much longer than the reverberation of the space of a cloth wall... A lot of people like to set the reverberation time very long. Some of the real theatres and concert halls didnt come as long as we thought. For example, the reverberation time of the Boston concert hall was 1.8 seconds, the Carnegie Hall in New York was 1.7 seconds, and the Vienna concert hall was 2.05 seconds. (2) the pre-delay time of reflection. Its the distance between the direct and the forward. There are several features: the larger the space, the longer Predelay; The shorter the shorter space, the longer Predelay; The shorter the reverse, therefore, the Predelay in the hall is longer than the office; The tunnel space is large, but it is very narrow, so Predelay is short. If you want to show a wide open space, make Predelay a little bigger. (3) wet out is the sound of reverberation. Here are some features: Wet out has nothing to do with the size, and just as well as to how much space debris and object of material on the walls and interior wa