第一部分阅读理解一、阅读做题方法与得分技巧汇总复习.PDFVIP

第一部分阅读理解一、阅读做题方法与得分技巧汇总复习.PDF

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第一部分阅读理解一、阅读做题方法与得分技巧汇总复习

社科赛斯教育集团 选择社科赛斯, 选择成功 第一部分 阅读理解 一、 阅读做题方法与得分技巧汇总复习 1. 新题型做题步骤: (1)多项对应题解题步骤: _________________________________________________________________ _________________________________________________________________ _________________________________________________________________ Directions: (2014 年真题) Emerging in the late Sixties and reaching a peak in the Seventies, Land Art was one of a range of new forms, including Body Art, Performance Art, Action Art and Installation Art, which pushed art beyond the traditional confines of the studio and gallery. Rather than portraying landscape, land artists used the physical substance of eland itself as their medium. The British land artist, typified by Richard Long’s piece, was not only more domestically scaled, but a lot quirkier than its American counterpart. Indeed, while you might assume that an exhibition of Land Art would consist only of records of works rather than the works themselves, Long’s photograph of his work is the work. Since his “action” is in the past the photograph is its sole embodiment. That might seem rather an obscure point, but it sets the tone for an exhibition that contains a lot of black-and-white photographs and relatively few natural objects. Long is Britain’s best-known Land Artist and his Stone Circle, a perfect ring of purplish rocks from Portishead beach laid out on the gallery floor, represents the elegant, rarefied side of the form. The Boyle Family, on the other hand, stands for its dirty, urban aspect. Comprising artists Mark Boyle and Joan Hills and their children, they recreated random sections of the British landscape on gallery walls. Their Olaf Street Study, a square of brick-strewn waste ground

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