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Alienation In Hemingway’s In Another Country and Faulkner’s A Rose for Emily
Alienation In Hemingway’s In Another Country and Faulkner’s A Rose for Emily
摘 要：本文尝试对两篇小说中体现的隔绝问题从根源、内在和外在力量及主观努力上方面进行探讨
Abstract: The essay is an attempt to discuss the alienation in two short stories respectively written by Hemingway and Faulkner. The factors attributable to the alienation include roots, internal and external force and mental efforts.
关键词：海明威，福克纳，异化，内部，外部
Key words: Hemingway, Faulkner, alienation, internal, external
作者简介：甄真（1980-），女，汉族，吉林省吉林市人，大学本科，学术经理
[中图分类号]：I206 [文献标识码]：A
[文章编号]：1002-2139(2011)-24-0063-01
Hemingways war heroes are suffering in another country and Faulkner’s southern lady Emily is living in another time and space. Both writes reflect the theme of alienation in the stories In Another Country and A Rose for Emily respectively.
First, the alienation has roots. Hemingway?s wounded soldiers are taken back from the frontline in World War I and they have to undergo a rehabilitative period in a hospital. The doctors trick them into believing that the machines are omnipotent for their damaged body, but they know very well that they are lab mice. Besides, they are injured physically at the battlefield but more wounded in the community. The people around them keep away from them and despise them because they won?t be able to fight again with a broken leg or with a destroyed hand. They have as little value for the war as for the society. Emily, in readers?eyes, comes from the last generation of American southern aristocracy. She seems to be the enemy to everybody in the new industrial civilization. Her pride and her reluctance to face the reality in outside world make herself a resident of a tomb. The tomb appears so weird that the town people draw a line between Emily and themselves.
Second, there are two forces that are attributable to the alienation in the stories. One is internal and the other is external. Solders are kept trying the machine therapy and they visit hospital on regular basis. However, they lo
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