《佛教与心理治疗艺术》介绍—温柔的悲悯(国外英文).docVIP

《佛教与心理治疗艺术》介绍—温柔的悲悯(国外英文资料) When a persons relationship is beyond the reach of the individual, the deepest experience is that we can hardly call it an emotion; perhaps it is more appropriate to be compassionate. The ancient Japanese word Kanashi (sad or melancholy) contains the meaning of [Itoshii] (love or warmth), and I think the word does contain such mixed emotions. I experienced such a subtle and intense feeling in a sand table, which was set by a thirty year old woman. It features the most impressive, is in the whole table design, also set up a small sand pattern, before the parents in the small sandbox, a child, a house, a few trees, a cat is very common. There stands a mountain, in the rear of the sand mist, a snake was slipped out from the cave, dew on the grass from the hillside drop down, the woman said it was tears. At the front of the sandbox there is a river where the fish swim, but all swim in the same direction, and she says she cant explain why. When I see this sandbox, I think of the Buddhist worldview, which we have been thinking about here. I think this small pattern represents our daily phenomenal world, and the world around it is huge upwelling energy, represented by snakes and flowing rivers. In this scene, the biggest shock is my tears. Whose tears are not important, because the tears are impersonal in a sense, and they condense the deep compassion flowing in the sand table, which lies deep in our daily life. The little patterns of sand travel may be happy and happy, but their bottom is deep melancholy. We cant call it compassion. The image of another sandbox also expresses this feeling, but in a slightly different way. This is my first case of sand travel, so I have a deep impression. It was a young man of nineteen years old, the young man who dreamed of the bodhisattva. He has social phobia and is always blushing, so he has to stay at home all the time. After a long period of treatment, he was a little bolder, although occasionally he stay