亨策《第五交响曲》的创作研究.pdfVIP

摘 要 20 世纪是西方作曲家不断极力寻求独特的个人表达方式和音乐语言的时 代，这一时期似乎可以按照不同的流派勾画出一个音乐发展的大体轮廓,但也有 一些作曲家并没有属于某一种特定的流派，他们游刃于不同的创作风格中，亨策 便是这样的一位以”泛技法”著称的作曲家。汉斯·维尔纳·亨策(Hans Werner Henze)是20 世纪德国著名的作曲家，他一生创作了数目庞大的优秀音乐作品， 在20 世纪众多作曲家当中亨策显现出较为独特的创新意识。一方面，他的音乐 带有很强的德国“基因”，但创作技法很难归类为某一种音乐流派，他在不同技 法的相互融合中形成自己的音乐风格，更多的是对技法的开拓而非革新。另一方 面，亨策的作品带有很强的人文思想和精神内涵。亨策公开发表自己的“音乐与 政治”的言论，他的歌剧和交响曲中带有文学戏剧化因素特征，体现了音乐与社 会关系的思考和对社会底层人物的关怀。 本课题以亨策《第五交响曲》为研究对象，对作品中的音高材料、节奏节拍、 配器及结构这几个方面进行技术分析和研究，同时将作品的创作特点与文化审美 内涵相结合，试图深入到亨策的创作思想、创作意图和音乐审美观。而课题研究 的最终目是使自己从作品中获得艺术修养和精神境界的熏陶与提升，并直接指导 自己实际的音乐创作。 关键词：亨策 第五交响曲 创作技法 风格成因 -i- 万方数据 Abstract Twentieth Century was the period for the western composers to try to find the era of personal expression and unique music language, this period seemed to be able to sketch out an outline of the development of music in accordance with different schools. But there were also some composers did not belong to a particular genre, they maneuver in different creation styles. Henze was one of such and well known as “pan technique” composer. Hans Werner Henze was a famous contemporary Germany composer in twentieth Century; he created a lot of excellent music works of different genres during his life. Among the numerous composers in twentieth Century, Henze showed more unique and innovative consciousness. On the one hand, his music was with strong German gene, but his creation technique was hard to be classified as a particular genre of music, his fusion of different techniques formed his own style, and his music was more to develop