大卫·马梅特戏剧中受到威胁的男性气质.pdfVIP

万方数据 Acknowledgements If I were asked to conclude my postgraduate period with one word, DRAMA would be a definite answer. Under the guidance of my supervisor, I have focused on drama studies and researches throughout my postgraduate years, and this thesis is a precious fruit of my labor. I owe a debt of gratitude to individuals who have contributed a lot to this thesis of mine. First of all, I am deeply grateful to my supervisor, Prof. Li Shanghong, who patiently motivated me to conceive and develop the idea of the thesis. The careful guidance and mentoring he has provided to me reflect his generous spirit and unending commitment to his profession. I would also extend my gratitude to the authors whose studies I have cited and quoted in my thesis. I am similarly indebted to my friends, Xie Tao, Song Ge, Wang Haibo, and Li Yanqing, who either offered me literature assistance or frequently enlightened me with witty comments and advice. Besides, I wish to thank all the members of my Postgraduate Drama Club, for the time we have shared on and off the stage. Last but not least, my heartfelt thanks go to my beloved parents. As a poem from ancient China’s Book of Songs goes: “O my father, who begat me/O my mother, who nourished me/Ye indulged me, ye fed me/Ye held me up, ye supported me/Ye looked after me, ye never left me/Out and in ye bore me in your arms (父兮生我/母兮鞠我/ 拊我畜我/长我育我/顾我复我/ 出入腹我)”, I owe so much love, encouragement and patience to you all my l