Notes on Painting - 华译网翻译公司.PDF

翻译样稿(Translation Sample) 北京华译网翻译公司(Beijing HuayiNet Translation Company) Notes on Painting As I myself develop, my painting style has changed from the original gloominess and heaviness to relaxation and cheerfulness—this feature is shown more apparently in my works created after 2005. In my painting works “Red Series”, feminine colors appear unconsciously. This is due to the “relaxation”, an embodiment of gradual maturity and optimism, which enables me to restore from the former nervousness to what can be shown in natural state. If it’s said that some erotic touch can be felt here, then here it’s natural and ambiguous. You can think about it but it’s never straightforwardit’s beautiful, melted and pleasant. Painting has the most direct and intuitive effect. What is required more from painters in painting shall be intuition and concentration, instead of image design and concept reasoning. As to what is on conceptual level behind the painting, even if you don’t “present” it intentionally, it will naturally appear in the painting form following your own personality. I remember an excellent painter used to say: “My works don’t need interpretation; they only need light and observation.”This is state I want to reach. Exploration and contemplation towards new material and its presentation is closer to the “game-playing” color of art. A brand-new material, as a new language, can break a new ground. The pleasure to explore in a new realm brings me tremendous joy. I can relax in the joy, into a natural state oblivious of myself, and get close to a “dreamlike” verbal expression – freedom, nature, flow of sub-consciousness, and inspiration from cognitive snap. And proper joy will extend, affect and spread like love through painting. Etherealness—it’s an active reconciliation between human and the world remaining on painting. Presentation on the state of etherealness, has been i