杜尚的接受美思想.pdfVIP

Classified Index: University Code: 10075 U.D.C: NO: 033497 A Dissertation for the Degree of M. Arts On Duchamp’s thought of acceptance aesthetics C a n d i d a t e ：Liao Xing Supervisor ：Pro. He Zhipu Academic Degree Applied for ：Master of Arts Speciality ：Arts University ：HeBei University Date of Oral Examination ：June, 2006 摘 要 摘 要 作为二十世纪最有影响的艺术家之一，杜尚很敏锐地意识到艺术家与观众之间的复 杂关系，认为艺术品是由艺术家、观众（公众）、机会共同创造，公众可以毁掉艺术家， 也可以造就艺术家。后来的观众能为真正的艺术家恢复名誉。杜尚的作品以情欲作为切 入点，以反传统、反艺术的神圣性、反视网膜艺术为主题，这拉近了艺术家和当代观众 的距离；却又让情欲的主题与视觉形象之间保持张力，杜尚作品的语词与造型的模糊暧 昧、互相解释，最大限度地激发观者的智力去探知作品的意义世界。 艺术接受是由永远流动变化着的接受主体、接受对象、接受“场”三者构成的特殊 运动。从接受角度可以把杜尚的成功简略为接受对象—杜尚的创造性，接受主体—美国 公众和当代观众，接受场—虚无观念和反精英意识盛行的当代社会。。杜尚反传统、反 神圣的艺术观念在理论上契合了重视日常生活的存在美学和强调读者权利的接受美学， 在现实中体现了当代消费社会反精英意识。 关键词：杜尚；接受美学；艺术家；公众；接受场 I Abstract Abstract Duchamp,one of the most famous artists in the 20th century, acutely realizes the relation between the artists and the audience. He suggests that the art works be created by the artists, the audience and the chance together. The artists can be brought up or destroyed by the audience,and the audience of the later time. can gave the rehabilitation of the artists’ reputation. The sexual passion is showed very clearly and the theme is against the tradition, the seriousness and the retina of art in Duchamp’s works, which can decrease the distance between the artists and the audience of the present time, and the tension between the theme o