现代写实主义画的主体意识——论巴尔蒂斯绘画艺术.pdf

南京艺术学院 硕士学位论文 现代写实主义绘画的主体意识——论巴尔蒂斯绘画艺术 姓名：姜整洁 申请学位级别：硕士 专业：美术学 指导教师：陈少立 内容摘要 本文所研究的问题是以现代写实主义绘画的重要代表人物巴尔蒂斯的绘画 艺术为切入点，来剖析现代写实主义绘画的主体意识的能动性。从对写实绘画的 主体意识和它的制约性的理解入手，来展现在不同的历史时期人们对具象绘画的 认识与理解上的转变，从而表明了写实绘画有别于照相技术和自然主义学说。 在具体研究现代写实主义绘画艺术的主体意识的时候，笔者以巴尔蒂斯的绘 画艺术为代表进行重点阐述，其中抓住了画家艺术的几个重要环节：“复古”的 艺术风格、对象的能动选择与处理、独特的造型意识以及对空间的主观处理等几 个方面来论述了现代写实绘画对主观能动性的强调。 文章最后就写实绘画能动性的重要性的两个主要方面进行了说明，一个是从 它的艺术价值；一个是从画家的自我价值两个层面来分析的。得出的结论是主体 意识在现代写实主义绘画中的地位之重要。 关键词：现代写实主义绘画，主体意识，具象绘画，能动性，制约性 - I - Abstract This thesis just makes a research on the painting art of Balthus, an important representative of the modern realistic painting, in order to analyze the subjectivity of main body’s consciousness in the modern realistic painting. First of all, we are sure to understand both main body’s consciousness and its conditionality, which would show people’s cognition and the change of comprehension in the realistic painting during different historical periods, so that we could see that the realistic painting really differs from photography and the naturalism theory. 。 When studying main body’s consciousness of modern realistic painting art, this thesis mainly takes Balthus’s painting art for example, and expatiates several important parts of painter art such as re-ancient art style, subjective choice and disposal on objects, unique plastic consciousness, subjective disposal on space, and so forth, which all show the emphasis on subjectivity of modern realistic painting. This thesis at last explains the importance of realistic painting subjectivity