AE片头制作的一些经验和技巧（Some of the experiences and techniques that AE has produced）.docVIP

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AE片头制作的一些经验和技巧（Some of the experiences and techniques that AE has produced）.doc

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AE片头制作的一些经验和技巧（Some of the experiences and techniques that AE has produced）

AE片头制作的一些经验和技巧（Some of the experiences and techniques that AE has produced） Master Jane talk about AE titles production experience. Novice must see yo! AE tutorial ---- master Jane talk about AE titles production experience. Novice must see yo! 1: flash white: usually I do not directly use the white frame stack, and as a raw material for animation in gamma and higher brightness, and then use the stack, so you can see the picture of the white light first, then the whole picture was white, white flash disappeared as well. This kind of transition feel quite similar to optical changes, not monotonous, and keep the best even when most white was also something that is not visible, white color, the length of the singular experience I like 5,7,9 better than even the best one, flash in flash frames. 2: actually, Ive never used pure cuts. Theyre usually replaced by 1-2 frames, and it looks a little smoother 3: screen color: in fact, this is a big problem, can not be generalized, and some parts may need to explain in detail I try to avoid screen - black, white, even black, often with pressure to a very dark red, blue and other colors tend to replace, decided by the specific film tone. Sometimes feel the film is not bright enough or not enough to solve the dark, usually with relative method to increase the light area and the percentage of the class. To avoid the absolute method of whole lighten or darken. The most commonly used tool is the color curve. - essential for metal or metallic texture characters, in fact this is a big problem. The principle is, the metallic stuff will be dark, that is to say the gold is not afraid of the dark, then try to use a certain number of animation light and high light effect to flow instead of the reflection map animation. And I often use negative light to make the dark. 4: composition: TV composition, except serious, power, or try to use non positive, a perspective on the relationship between the composition. As far as possible from the clip c