premiere视频剪辑技巧集粹分析（premiere视频剪辑技巧集粹分析）.docVIP

premiere视频剪辑技巧集粹分析（premiere视频剪辑技巧集粹分析） Premiere video editing techniques Jicui analysis Figure 90 Yongbo late Sichuan video post production classification premiere premiere PR shear shear shear essence skills analysis: learning resources late album The size and angle of the image When the difference between the 2 lenses is quite small, it often feels awkward to connect! Because the 2 lens gap is small, the audience does not feel the due change, so will be bored, so there is no smooth effect. For example, switching from a distant view to a close shot is acceptable But the prospect shifts to a roughly neck - wide position, and the audience will feel pretty uncomfortable. Also, from the point of view, if your first lens is someones face, there is a street light behind the person The next shot only 15 degrees or 30 degrees taken obviously does not change in the position of the actors do not change the position of the light of the circumstances of the shooting result is certainly before a shot change relative to the position of the light in the background. This is clearly a mistake. The 2 lenses came together, of course, strange, of course, wrong. But if you turn 90 or 180 degree angle to shoot the relative position is another case of lights and people have changed, because of the change of the angle is large, the audience is acceptable, the audience knows that it is the other point of view. So the size and angle of the characters on the screen should be better. Maintain a clear sense of direction There is a clear sense of direction in the video clips, so it has something to do with the directors scheduling of actors and cameras. The camera scheduling: we all know that the axis of the general concept, why not cross axis shooting (statement: no one shall not be over but the Hollywood in order to allow the audience to see the film without thinking to do so, please dont misunderstand) is to maintain a sense of direction. For example, shoot and shoot dialogue characters A an