书法收藏(洁版)（Calligraphy collection (clean Edition)）.doc

书法收藏(洁版)（Calligraphy collection (clean Edition)） Discussion on calligraphy collection - Revised Edition Calligraphy collection top ten points As a part of the market economy, the modern painting and calligraphy market is rather confusing. I only talk about some common sense of calligraphy and painting. I can basically eliminate the poor quality products that are flooding the market. These products are likely to have a market share of more than 90%. Some inferior products can be accepted as common decorations, and they are not qualified as collectors. As consumers, we are powerless to change these dysfunctional phenomena, but we may be able to change things by improving ourselves. 1. Eye pleasing. Please see the original, but also want to see more, to go to the museum to see established calligraphy status in the history of the authors works, do not look at the modern people to write, because you have not yet established when calligraphy aesthetics, you will be misled to @ @ @ goods production inferior quality and production quality as @ @ @ goods. If there are no conditions can also buy a few of the ancients copybook, buy a copybook is the same to be careful now, some publishers very irresponsible, some no artistic value things out of the waste of social resources. The version number of the more were published and clear as possible. Of course, if the conditions permit, it is better to buy the original. Believe in your eyes, calligraphy is the product of beauty. Everyone is an artist, and has a unique and common aesthetic. There is a system for evaluating the beauty of calligraphy, but there is no time to write it. Now write it is useless, but calligraphy is commonplace. So, as long as the master of the theory did not write the words too. As a collection, we must first have the beauty of the function. As a consumer, do not know where the United States where the works are not recommended collection. Unless directed by experts. 2. Look at imitations. The quality of the