大合唱音乐指挥手势1（Chorus music command 1）.doc

大合唱音乐指挥手势1（Chorus music command 1） Chorus music command Chorus command and trainer gestures, in addition to express the development of the music work content and intention, must also be consistent with the requirements of vocal music singing, at least not on the requirement of vocal music. Especially in the breath and resonance of the request, should give the chorus member with extremely powerful influence and support. In singing, often because the action of the conductor is exaggerated, the part of the hand overhand raised, and influence the chorus member of the team to lose the sense of the support. This will lead to a high performance and short breath. On the contrary, sometimes the facial expression is replaced by the lock eyebrow because of the lower movements of the command, thus affecting the unimpeded chord of the chorus member, which causes the low pitch. In short, in addition to expressing the intention of the work, the movements of the chorus team must support and match the singing physiology and psychological requirements. This will have a better effect on singing. ?? This is often the case before rehearsals or performances: the chorus player is often unable to achieve the desired effect for the first time because he has just got up or feels tired. When the muscle is not active, it can be used as an exercise after the general practice has been carried out. And the phrase as an exercise must be: ? 1. The bass jumps to a longer high. ? 2. The words used in the high notes must be open ? At the time of rehearsal, the requirement of the word and the words, no matter how to relax. And the demand of vocal music. Singing does not equal speech, first each word must be in the good breath of support and resonance position in the state. Must be dealt with carefully, otherwise would be sung vague. In choral training, the law of the clenching of words must be carried out to the rehearsal. To make each player a habit, especially with regard to rhyme and sound, must be