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论色彩语言在影视创作中的情感传达(On the emotional communication of color language in film and television creation).doc

论色彩语言在影视创作中的情感传达(On the emotional communication of color language in film and television creation).doc

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论色彩语言在影视创作中的情感传达(On the emotional communication of color language in film and television creation) On the emotional communication of color language in film and television creation.Txt On the emotional communication of color language in film and television creation The article comes from The history into the 2l century, as the seventh film and television art artistic expression with its vivid media and art in many of the The students surpass the teacher., A new force suddenly rises. art categories, and gradually established itself in the entertainment media in the dominant position. The audience in the colorful film and television works before, sometimes excited and excited; sometimes tears, sentimental; sometimes aftertaste, meditation...... When the audiences audio-visual language can gradually progress, and gradually get rid of indulge in the plot of nostalgia, more will be projected into the film and television language of the body of concern. As an important component of audio-visual language, color speech has many functions in the film and television works. It has become the focus of attention of experts, scholars and film creators. This paper discusses the construction of color and emotion space. First, from the Chinese traditional color aesthetics to see the ideographic function of color In ancient poetry of ancient sages by his expression of common color words, such as flies and the sunset sky, cloudless gufanyuanying do, only see the Yangtze River flows into the sky. The Tang Dynasty famous painting Jing Hao said: spring is the smoke cage, long lead smoke, water as blue, green mountains gradually. Xia Jinggu wood Bitian, no green wave, cloud waterfall, quiet water pavilion. Autumn is borrow to snow, the woodcutters negative salary, Yuzhou by the shore, shallow water sediment. From the poems and descriptions of the ancients, it is not difficult to find that the predecessors understanding of color has long broken the function of pure appearance, and projecte

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