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李涛笔记(Li Tao notes)
1 the relationship between light and color 1
- - - - - - - - - - - - - - - - - - - -
Color pattern: the corresponding medium is human eye
Hue H hues
Saturation S saturation
Lightness B Bright
Black, white: colorless phase
RGB corresponds to the medium as a luminous object display
Primary colors of RGB: light
White light additive mode
R=G=B has no hue, grey value, only lightness
2 the relationship between light and color 2
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CMY corresponds to medium for printing [cyan, yellow]
CMY: three primary colors of color
Thick and weak: 0 - 100%
K black [CMY, the actual process can not be achieved, the use of separate black]
Two RGB colors are superimposed together to get the CMY, the three colors superimposed white, and the additive mode.
Two CMY color overlay RGB together, tricolor overlappedness black, color mode.
3 color pattern image resolution
- - - - - - - - - - - - - - - - - - - -
The color gamut of RGB and CMYK is not completely coincident. Some colors in the RGB range can be seen, but not printed. These colors are called overflow colors. In order to prevent the overflow of the color, the PS in the new RGB picture, in view, select the proof setup in CMYK. Pay attention to overflow warning when picking up color.
LAB: nature color mode
Image resolution: page image resolution 72ppi.
Image size: in the dialog box reset image pixels, cancel it, can be used for printing, but smaller size.
4 painting and retouching Tools 1
-- -- -- -- -- -- -- -- -- -- --
The healing brush tool is more effectively fused than the copy stamp tool.
Patch tool: drag the selected area to the appropriate position and merge the original position image at the current position.
Red eye tool, direct point.
Brush tools, focusing on retouching, focusing. Choose important, ant line is unimportant.
Brush mode:
Group A: normal dissolution followed by removal
Group B: darken, fold low, color deepen, linear deepen (b corresponds to group C)
Group C:
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