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『访谈』多面建筑家隈研吾(Interview many architect Kengo kuma)
Interview many architect Kengo Kuma:
Working in China is a big change for me, Kumake Go said. Before, I always consciously opposed western design methods and principles. But Japan is too small for me to practice these ideas. China has a surprisingly diverse state. In this place, multi culture, history and traditions coexist, diversified natural environment but also the amazing, completely different from the Japanese.
China has a strong desire and power, and wants to use the principle of transcending this diversity in its own plurality. This power is not available in japan. Since I started working in China, I strongly felt the need for this power.
His use of materials is not in solving functions, but in building an emotion. For example, he used a soft, lightweight material: the vinyl curtain material in the air square project in Fuk, in order to build a free space around the soft food that liberates the childs mind. The stainless steel railings, 8X16 mm in diameter, used in Lotus houses, create a sense of jumping in the lightness of the box glass.
He is also a city researcher and a thoroughly natural urban pie. In his mind, Tokyo was once a soft city full of wooden buildings, but the appearance of concrete changed all that. As a result, he tried to bring the soft back to the city in Tokyo, where he participated in the construction project (ONE). He chose soft instead of the usual firm structure and firm exterior walls.
In his bid for Beijing SOHO project in Sanlitun, he will be Beijings Hutong and courtyard for the transformation of traditional elements, take Chinese lattice window style, create a change according to the changing light feeling, just like human or animal skin.
He is an architect who thinks about everything. He expressly mentioned Keynes effect and the economic theory of the architectural design produced; he will combine democracy and building schools to talk; he explore brand and social creativity of a
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