论中实我的魏碑楷书创作实践课件.doc

论“中实”：我的魏碑楷书创作实践 On “Zhongshi”: My Tablet Inscriptions of The Northern Dynasties Regular Script Writing Practice 摘要：包世臣的书法理论历来被看作是碑派书学理论的重镇，他在《艺舟双楫》中提出了一个史无前例的关于线条审美的“中实”之说，“中实论”一经提出就在当时书坛上引起强烈的反响。我的作品的出发点和切入点就是魏碑线条的“中实论”，本文着重从包世臣“中实论”的实质性内涵，所应用的范围，魏碑与唐楷相比较的独特性以及我的作品是怎样体现“中实论”来展开论述。 Abstract：Bao Shichen's calligraphy theory has traditionally been viewed as a city of stele school calligraphy theory, he in the "Yi Zhou Shuang Ji" presents a There was no parallel in history. on line aesthetic "Zhongshi", "Zhongshi" theory was put forward in calligraphy at that time aroused strong repercussions. The starting point of my works and the starting point is the Tablet inscriptions of the Northern Dynasties lines "in theory", this paper focuses on Chen's "substantive connotation in theory", the application range, unique comparative Wei and Tang Kai Comparison of my work is how to reflect the "Zhongshi" theory to discuss. 关键词：线条；中实 ；魏碑 ；中段 Key words：Lines；Zongshi；ablet Inscriptions of the Northern Dynasties ；The line segment 是隶书向楷书转化的过渡性字体。从字体发展的角度看它还不够完整（譬如说其笔法、结构的处理较之唐楷随意性较大，没有形成成熟的技巧系统等），但从审美意义上看它给我们提供了别具特色风味的审美取向，留给了我们别于唐楷的诸多耐人寻味处。