影评《活着》张艺谋（The alive Zhang Yimou）.docVIP

影评《活着》张艺谋（The alive Zhang Yimou） The movie alive is known as a living Chinese contemporary unofficial, really worthy of the name. This is a quiet film, did not appear much cry and howl, mercy Daqi and hysteria, as if only a section of the protagonist Fugui notes along the way. The title is alive, but throughout the whole movie is dead after another, the protagonist in the fukki has lost his father, mother died in the civil war, lost a son in the great leap forward, in the Cultural Revolution in the death of a daughter. Every time the death, seemingly accidental, but somewhere is bound to conform to the historical development. The age of turbulence, inhibition, is to survive in the bottom of the people mercilessly plunder, so that they and their families, from the form to the internal implementation as pour as a church mouse. As a spectator, as he always carries the mirage of hope, on the reality of the ice. After the appearance of Benglie cannot control, rely on their own instinct long patience, continue to live in the state of suffocation. Life is like a piece of the sea, all of the tragedy zhaodanquanshou. Freud is such an explanation of the origin of masochism: if you fall into a can not get rid of the pain, to unbearable proportions, and will take this pain as happiness, in this way to seek relief, as a result, his values are reversed to come here. This is the films protagonist, also from 50s and 60s and todays Chinese ordinary people, a real life, paralysis. According to this definition, each of us has become a masochist. By that, the audience, is not only a spectator, is set into a member of this in the story. Each persons own, is a historical scroll spread, and as a result of history and the draw press. The reality does not provide for people how to live, and every step forward is a must. Some people say that Zhang Yimou took this one of the most successful film. The film narrative and plot of plain, simple to maintain a consistent scene is always gray, like