远东学报第二十六卷第二期.pdfVIP

遠東學報第二十六卷第二期 由「典故借喻與氛圍營造」探李商隱的無題詩 Through Allusion Metonymy and Atmosphere Creation Probe The Untitled Poems of Lee Shang-yin 王秋香 國立中山大學中文研究所博士班研究生 摘 要 李商隱無題詩具多義性，究其因乃擅於運用借喻之法，將人、事、物或 典故直接以喻依形式展現，去其喻體、喻詞，而此段之空白正可引發讀者不 定的思維和不同的解讀而產生多義性。尤其多典而工是李商隱詩作的一大特 色，典故對等原理之運用，由映照而產生了詩句的張力，將典故熔鑄於詩句 中，詩歌就會產生深厚的內蘊和豐富的聯想；而產生多義性。加上其擅於宮 體之濃艷及色彩之揮灑，或綺組縟繡，吐韻鏗鏘或幽邈迷濛，藉煙、光、水、 塵之烘托，因而能創造出隱約含蓄、若明若暗、飄忽不定之朦朧多義性的藝 術境界。 關鍵詞 ：多義性、典故、借喻、無題詩、李商隱 303 遠東學報第二十六卷第二期 Wang Chiu Hsiang, Acandidate for doctor’s degree, Department of Chinese Literature, National Sun Yat-Sen University Abstract Untitled poems by Lee Shang-yin embrace densely polysemy. They skilfully employ metonymy where subjects or allusion are taken as vehicles, but not tenors and connectives. Those blanks properly inspire readers perennially with a wide range of thoughts on interpretation. Polysemy is generated. Especially, the main characteristics of Lee Shang-yin’s poetry are to cast words in a delicate arrangement with rich allusion to axioms. The reflections hidden in the poems extend the meanings and concepts to great depth. While the allusion is integrated with the whole of the poems, profound meanings as well as comprehensive associations, which polysemy is based on, are allowed to be built up and reinforced. Meanwhile, Lee is also famous for the magnificence of ‘Palace-style’ poetry and