电视电影民族电影的生存方略（TV movie the survival strategy of national movies）.docVIP

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电视电影民族电影的生存方略（TV movie the survival strategy of national movies）.doc

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电视电影民族电影的生存方略（TV movie the survival strategy of national movies）

电视电影民族电影的生存方略（TV movie the survival strategy of national movies） TV movie: the survival strategy of Chinese film The starting point of TV movie is to survive this TV movie film form in Chinese, is also the inevitable result of the development trend of the objective things and a keen insight into the decisive choice. The significance is to lay the foundation for the diversified development of China film. It is the logical starting point of survival, not academic. In the visual arts, film has been the boss itself, because it has a hundred years of experience, the new China established 50 years under the planned economy system and formed a set of artistic creation and strict management system and idea. The movie master status makes it in the previous social change in the strong and effectively safeguard their dignity. Only since the reform and opening up several great art or economic change, in addition to the middle of the 80s movie language reform has made great achievements in the art at the time, then at the end of 80s to film type (entertainment) exploration, at the beginning of 90s on the issue of reform of the system of film screenings to meet resistance. More tellingly, the rise in 80s Chinese TV, TV stations need to make a lot of even team production base, ogling film plant frequency, at a time when the press has some of the Policy Research Office of the Department of broadcasting researcher Ma Xiangqian as the representative, writing about film confluence is the world trend of the development of the film and the film only the factory or drama in a position of no great importance seeing, lost once occupied the television market, the economic and cultural greater development opportunities. During this period, American movies have or are experiencing the impact of television on the film. The United States in 60 and 70s, the Hollywood in the TV hit, had to sell the movie to TV movie economy subsidies. In Europe in 70 and 80s, according to experts, in 50s the Fren