后现代主义景观要领.doc

后现代主义景观 ——刘建平 摘要：20世纪70年代以后，当后现代主义从建筑观念中移植到其他文化艺术领域时，同样也激起了层层涟漪。这时，后现代主义以艺术的大众性反对艺术的精英性，以粗俗、生活化反对精雅的艺术趣味；主张艺术各门类、艺术与生活之间界限的消失，艺术品不仅作用于视觉，而且应该作用于听觉、触觉、甚至嗅觉的美学主张，以及艺术的目的是创造整体情景等，从而，促使了“环境艺术派”“大地艺术派”的出现。Queen Modernism landscape 1970s afterwards, think that queen Modernism arrives at from the middle transplanting building concept other culture when the world of art, same have also evoked the layer-upon-layer ripple. Modernism opposes the art outstanding person after at this time, with the art masses, use vulgar , life-rization oppose extremely elegant art interest; Advocate art between every category , art and life the boundary disappearing, work of art act on optesthesia not only, and ought to act on the sense of hearing , tactile sensation, even the sense of smell aesthetics view, the scene waits as well as the art purpose is to create an entirety, thereby, have urged environment art to send the earth appearing that art sends . Landscape passes later modern doctrine criticizing , develop what is useful and discard what is not have absorbed Modernism landscape value system , the value such as inheriting and continuing tradition history culture having formed the oppose a rationalism , multivariant significance expressing and viewing and admiring person centre theory and so on and trend has been taken face. Doctrine , localism , mass culture doctrine , metaphor doctrine having formed history at the same time compose in reply five kind design type such as doctrine narrating , have to chant on the contrary, kind mixes up , carnival , performance, participate in after nature waits the Modernism characteristic. Key words:Landscape Postmodernism Historical Localism Doctrine of Popular Culture 目录 前言 1、从现代到后现代发展的跃迁 1.1现代主义的发展特点 1.2后现代主义的产生与发展分类 1.3后现代主义的特点 2、后现代主义思潮对于景观设计的影响后现代主义与建筑设计后现代主义与景观设计 3.3.1隐喻的特征 3.4后现代叙事主义景观 3.5后现代大众文化景观 3.5.1 大众文化概述 大众文化的后现代转向 后现代主义(Postmodernism)是一个从理论上难以精准下定论的一种概念，因为后现代主要理论家，均反对以各种约定成俗的形式，来界定或者规范其主义。其中能够为后现代主义大略性表述的哲学