单片机教程实战2 蜂鸣器唱歌（SCM tutorial, Combat 2 buzzer singing）.docVIP

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单片机教程实战2 蜂鸣器唱歌（SCM tutorial, Combat 2 buzzer singing）.doc

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单片机教程实战2 蜂鸣器唱歌（SCM tutorial, Combat 2 buzzer singing） This article is contributed by 009 refugees DOC documents may experience poor browsing on the WAP side. It is recommended that you first select TXT, or download the source file to the local view. SCM tutorial, Combat 2 buzzer singing Release: 2009-11-04 09:01 | Author: ordinary | source: network | view: 189 The use of single-chip microcontroller (or SBC) music is probably one of the radio enthusiasts interested in problems. In this paper, the basic single-chip microcomputer experiment between the starting point, talk about the principles of music programming principles, procedures, design principles, and gives specific examples for reference. The basic pronunciation experimental program design principle of single-chip we know that the sound frequency range of about tens to thousands of Hertz, if can use the program to control the single machine of a line of high level or low level, in the mouth of the line will be able to produce a certain frequency square wave frequency, connected to the speakers can send certain the frequent rate of voice, if the use of delay time control program for high and low level, can change the output frequency, thus changing the tone. For example, to produce 200HZ audio signals, according to figure 1 (if the temporary access horn experiment, can also be directly connected to P1 port in the horn line), the experimental procedure is: the subroutine DEL delay subroutine, when R3 is 1, the delay time is about 20us, R3 stored in the 200HZ audio delay constant. The cycle is 1/200, which is 5ms seconds. Thus, when the P1.4 high or low duration is 2.5ms, or the time constant of R3 takes 2500/20=125 (7DH), the 200HZ tone can be emitted. Type the program into the learning machine and constantly modify the R3 constant to feel the change in pitch. In music, each note corresponds to a definite frequency. Table 1 gives the notes and their corresponding time constants at the C tone. According to the c