叶朗讲演录（Ye Lang, lecture book）.docVIP

叶朗讲演录（Ye Lang, lecture book） First, the outline of Chinese aesthetics in twentieth Century The outline of the development of Chinese aesthetics in twentieth Century is divided into three sections. The first paragraph is modern, and we all know that from the general stage, from the Opium War of 1840, China entered modern times. The most influential Chinese modern American artists were Liang Qichao, Wang Guowei and Cai Yuanpei. The common features of the three of them are eager to learn and introduce western aesthetics, mainly German aesthetics. And try to combine the western aesthetics and China aesthetics, which is the largest of Wang Guoweis academic achievements. Influence of Wang Guoweis aesthetic thoughts by Kant, Schopenhauer, Wang Guowei of the realm, and his books like human words, a dream of Red Mansions comment, song and Yuan Dynasty opera examination such works on the China modern aesthetics and China modern academia as a whole has great influence. Mr. Cai Yuanpei contributed mainly to the promotion of aesthetic and artistic education during his period as president of the education and Peking University. He not only personally teaching aesthetics course at the University, and descriptive research association, the study of music and music school. The Conservatory of music is not a club, it is a recruit students and normal students so a, is the earliest we Chinese a higher school of music, then called the Conservatory of music. Xian Xinghai, he is the student here. Mr. Cai Yuanpei carried out the aesthetic education in Peking University, and the influence of Cai Yuanpeis theory and Practice on Peking University was very far-reaching. Because of this influence, we have gradually formed a fine tradition of valuing aesthetics and valuing aesthetic education in Peking University. In 1917, Cai Yuanpei delivered a speech entitled aesthetic education on behalf of religion at the China Society of Beijing, which has a great impact. Cai Yuanpeis influence on aesthetic