耳放（Amp）.docVIP

耳放（Amp） (summarizing) understanding headphone amplifiers from a technical point of view From a personal sense of hearing, everyone feels different, not always argue what results, but the theoretical derivation should be scientific, rather than a persons imagination, who recently a lot of discussion in some of the technical school wrote a lot of valuable things, buried a pity, so let us go out, understand the headset amplifier from a technical perspective. As for whether the difference can be heard, it is a subjective matter that is related to the experience and degree of individual fever, which is not discussed here. [Cao camp famous] First, you have to figure out a problem. Whats the volume? From an electrical point of view, the output energy is large enough, for a specific impedance of the load, that is, the peak voltage is large enough. For the sound quality of output, the volume is almost meaningless. Because any analog amplifier circuit has its linear operating range, after this interval, the circuit still has amplification, but only into nonlinear amplification, what the tune, stray all up. Therefore, simply having enough volume does not mean that the output quality is ideal at this time. Secend, any circuit can achieve an ideal working state only when an ideal load is applied. Designed to output impedance of 600 ohm system, dragging 32 ohm headphones is not necessarily good, design output impedance 32 euro system dragged 600 Euro load is definitely a problem. Why? Because of impedance matching. Any amplifier system is not designed for any load at the time of design and generally has an ideal load. Usually the load and the working point of the system is directly linked to the change of load will lead to offset the working point, if the system operating point offset linear area, or in a marginal position, so when signal amplification, the distortion will appear. A good linear amplifier system design of a wide range, so it can drive many different load impedance